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Photo: Wolfgang Volz2025-06-11T04:02:09+00:00monthlyhttps://cyberarttime.com/2025/06/09/kol-hevel-ii-choosing-to-remain-in-exile/https://cyberarttime.com/wp-content/uploads/2025/06/art-adam-and-eve.pngART - Adam and EveAdam and Eve Expelled from Paradise by Chagall, 1962.2025-06-09T14:11:21+00:00monthlyhttps://cyberarttime.com/2025/06/06/kol-hevel-paradise-within-reach/https://cyberarttime.com/wp-content/uploads/2025/06/wavepacket-a2k4-en.gifWavepacket-a2k4-enhttps://cyberarttime.com/wp-content/uploads/2025/06/art-expulsion-from-the-garden-of-eden.jpgExpulsion from the Garden of EdenExpulsion from the Garden of Eden, by Thomas Cole. 18282025-06-09T13:57:27+00:00monthlyhttps://cyberarttime.com/2025/05/27/veiled-in-loss-found-in-light/https://cyberarttime.com/wp-content/uploads/2025/05/illuminance-series-untitled-by-rinko-kawauchi.pngIlluminance Series, Untitled by Rinko Kawauchi2025-06-01T04:05:15+00:00monthlyhttps://cyberarttime.com/2024/10/25/everlost/https://cyberarttime.com/wp-content/uploads/2024/10/2024-07-22-1456-everlost-1-wm.png2024-07-22-1456, EVERLOST 1 WMThis liminal state of existence called self-reflective consciousness beckons me to look back at lost opportunities; some forcibly taken, and some freely given away.2025-05-31T01:16:06+00:00monthlyhttps://cyberarttime.com/2024/06/27/awake-oh-sleeper/https://cyberarttime.com/wp-content/uploads/2024/06/2024-06-24-1233-awake-osleeper-wm.jpg2024-06-24-1233, Awake, O’Sleeper wm2025-05-31T01:10:33+00:00monthlyhttps://cyberarttime.com/2025/05/21/meaningful-null-states/https://cyberarttime.com/wp-content/uploads/2025/05/2025-05-09-2123-meaningful-null-states.jpg2025-05-09-2123, Meaningful Null States2025-05-09-2123, Meaningful Null States2025-05-31T00:57:36+00:00monthlyhttps://cyberarttime.com/about/2025-05-30T15:56:00+00:00weekly0.6https://cyberarttime.com/all-posts/2025-05-30T15:55:42+00:00weekly0.6https://cyberarttime.com/2025/05/30/soul-existence/https://cyberarttime.com/wp-content/uploads/2025/05/art-no.-14-by-mark-rothko-1960.pngART - No. 14 by Mark Rothko (1960)No. 14 by Mark Rothko,1960.2025-05-30T15:48:02+00:00monthlyhttps://cyberarttime.com/2025/05/23/prophetic-vision-our-true-calling/https://cyberarttime.com/wp-content/uploads/2025/05/img-thomas_merton_by_sibylle_akers.pngIMG - Thomas_Merton_by_Sibylle_AkersPhotograph by Sibylle Akers / Merton Legacy Trust / Thomas Merton Center2025-05-30T14:26:06+00:00monthlyhttps://cyberarttime.com/2022/12/21/heavy-rotation-the-lotus-chapters-by-above-below-a-contemplation-on-life/https://cyberarttime.com/wp-content/uploads/2022/12/the-lotus-chapters-above-below-album-art.webpthe-lotus-chapters-above-below-album-art2025-05-29T00:42:52+00:00monthlyhttps://cyberarttime.com/2025/05/24/the-inventors-of-humanity/https://cyberarttime.com/wp-content/uploads/2025/05/chatgpt-image-may-24-2025-12_10_35-am.pngChatGPT Image May 24, 2025, 12_10_35 AMhttps://cyberarttime.com/wp-content/uploads/2025/05/2025-05-24-a-monkey-and-a-gentleman.png2025-05-24, A Monkey and a Gentlemanhttps://cyberarttime.com/wp-content/uploads/2025/05/2025-05-24-the-monkey-mash.png2025-05-24, The Monkey Mash2025-05-27T22:06:57+00:00monthlyhttps://cyberarttime.com/2025/02/17/the-power-of-letting-go-finding-strength-in-trust/https://cyberarttime.com/wp-content/uploads/2025/02/20250214-virtuous-faith-002-wm.png20250214 Virtuous Faith 002-wmhttps://cyberarttime.com/wp-content/uploads/2025/02/20250214-virtuous-faith-003-wm.png20250214 Virtuous Faith 003-wmhttps://cyberarttime.com/wp-content/uploads/2025/02/20250214-virtuous-faith-001-wm.png20250214 Virtuous Faith 001-wm2025-05-23T17:01:02+00:00monthlyhttps://cyberarttime.com/2025/02/16/the-transfiguration-of-death/https://cyberarttime.com/wp-content/uploads/2025/02/crucifix-45-by-william-congdon.jpgCrucifix 45 by William CongdonWilliam Congdon (American, 1912–1998), "Crocefisso 45" (Crucifix 45), 1966. Oil on canvas, 152 × 139 cm (unframed 148 × 135 cm). Collection of the William G. Congdon Foundation, Milan. Congdon said of his painting process, ‘I always paint what I am, not what I see,’ making his crucifixion paintings, in particular, an existential experience: ‘The body I met is my own body hurting from sin, a body soaked with pain to the point of being unable to distinguish the body from the pain, as if the pain had become a body and not the body a pain… in short, I recognize that the Christ on the Cross is myself; that it is my sin that is nailed to the Cross! It is my own flesh that I paint with the certainty of the Resurrection within me.’ [see book, p. 98] Congdon typically constructed paintings by scraping thick layers of oil paint on a prepared blackboard into which the outline of the subject would then be scored. (https://www.artlyst.com/features/william-congdon-holy-sites-and-the-kettles-yard-connection-revd-jonathan-evens/) http://www.congdonfoundation.com/ENG/Dipinti_a_Olio_1960-1978.html. 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